This call for the 3rd volume of the Norient Academic Online Journal (ISSN-Number: 2296-049X) aims to explore representations of otherness that have emerged in the 21st century. Through what Wayne Marshall (2007) labels “global ghettotech” a new generation of musics drawing on local traditions, electronic dance music and other forms of popular music have emerged. The submitted articles should discuss these contemporary renderings of exoticism and discuss them from “local”, “transnational”, “political”, post-colonial”, “economical” or other perspectives. What questions of representation do these cultural products generate? How do contemporary musicians from outside the Euro-American centers play on previous representations of the “other”? Who are they aimed at? What role do global migration patterns play? How do these musical representation incorporate tonal, rhythmic and harmonic structures foreign to the dominant Euro-American foundation of popular music? How has the internet
and
social media influenced these developments? What are the technological challenges?
Articles can be submitted in any language the editors can read (currently English, German, French, Spanish, Portuguese, Scandinavian, Russian, Dutch, Esperanto) but must include an abstract in either English or German.
Please submit your abstracts to
journal_submission at norient.com
Tentative schedule
June 30th, 2013: Deadline for abstracts (maximum 200 words)
October 1st, 2013: Deadline for articles (maximum 6.000 words, Chicago Manual of Style with the author-date system and endnotes)
Spring 2014: Articles published.
For the complete call and more information please visit:
http://norient.com/academic/
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