Lectureship in Music (Ethnomusicology and/ or Popular Music):
https://atsv7.wcn.co.uk/
Or via Jobs.ac.uk:
http://www.jobs.ac.uk/job/
mercoledì 18 luglio 2012
JOB: University of Birmingham, Lectureship in Music (Ethnomusicology and/ or Popular Music)
The University of Birmingham, Department of Music, invites applications for the following post:
Lectureship in Music (Ethnomusicology and/ or Popular Music):
https://atsv7.wcn.co.uk/
Or via Jobs.ac.uk:
http://www.jobs.ac.uk/job/
Lectureship in Music (Ethnomusicology and/ or Popular Music):
https://atsv7.wcn.co.uk/
Or via Jobs.ac.uk:
http://www.jobs.ac.uk/job/
ANNOUNCEMENT: European Sound Studies Organisation Launched
On Friday, July 14 2012, the foundation of ESSA – the European Sound Studies Organisation – was announced. The committee behind the organisation consists of sound researchers from Germany, England, France, The Netherlands, and the Nordic countries.
The aim is to provide an international, interdisciplinary and interprofessional organization for promoting the study of sound by providing a forum for knowledge exchange, for conferences, for research encouragement and development of projects, and for information.
ESSA will host and mediate all kinds of understandings of sound and research into sound. Researchers doing artistic research of various kinds and researchers doing sound studies on the basis of traditional academic disciplines like, say, anthropology, musicology, and media studies are equally important to the development of ESSA as a research network.
We invite all scholars and artists, students, young researchers and experienced authors working with one or more dimensions of sound to join ESSA in order to provide the space to foster the international, interdisciplinary and institutional development of sound studies in the coming years: online as well as in conferences, summer schools, workshops and international research projects.
To join the ESSA, send a simple mail with (a) your digital & postal address, (b) your professional occupation, (c) your institutional affiliation, and (d) if freelance: your main area of expertise, to: join atsoundstudies.eu
ESSA has come about as a consequence of the tremendous growth in sound studies in diverse research cultures all over Europe and worldwide, an interdisciplinary and international group of researchers – connected by various research networks, conferences and workshops in the Nordic countries, in Germany and all over Europe – has initiated this international organisation with the aim of bringing together sound researchers and sound artists of all kinds.
The founding members as of July 2012 are: Karin Bijsterveld (NL), Barry Blesser (US), Michael Bull (UK), Mark Butler (US), Marcel Cobussen (NL), Erik Granly Jensen (DK), Anahid Kassabian (UK/US), Jacob Kreutzfeld (DK), Tellef Kvifte (N), Charlotte Rørdam Larsen (DK), Ansa Lønstrup (DK), Morten Michelsen (DK), Holger Schulze (GER), Mark M. Smith (US), Jonathan Sterne (CAN/US), Ola Stockfelt (S), Jean-Paul Thibaud (FRA), David Toop (UK), Heikki Uimonen (FI), Simon Zagorski-Thomas (UK).
You will find more information about ESSA at http://www.soundstudies.eu
The aim is to provide an international, interdisciplinary and interprofessional organization for promoting the study of sound by providing a forum for knowledge exchange, for conferences, for research encouragement and development of projects, and for information.
ESSA will host and mediate all kinds of understandings of sound and research into sound. Researchers doing artistic research of various kinds and researchers doing sound studies on the basis of traditional academic disciplines like, say, anthropology, musicology, and media studies are equally important to the development of ESSA as a research network.
We invite all scholars and artists, students, young researchers and experienced authors working with one or more dimensions of sound to join ESSA in order to provide the space to foster the international, interdisciplinary and institutional development of sound studies in the coming years: online as well as in conferences, summer schools, workshops and international research projects.
To join the ESSA, send a simple mail with (a) your digital & postal address, (b) your professional occupation, (c) your institutional affiliation, and (d) if freelance: your main area of expertise, to: join atsoundstudies.eu
ESSA has come about as a consequence of the tremendous growth in sound studies in diverse research cultures all over Europe and worldwide, an interdisciplinary and international group of researchers – connected by various research networks, conferences and workshops in the Nordic countries, in Germany and all over Europe – has initiated this international organisation with the aim of bringing together sound researchers and sound artists of all kinds.
The founding members as of July 2012 are: Karin Bijsterveld (NL), Barry Blesser (US), Michael Bull (UK), Mark Butler (US), Marcel Cobussen (NL), Erik Granly Jensen (DK), Anahid Kassabian (UK/US), Jacob Kreutzfeld (DK), Tellef Kvifte (N), Charlotte Rørdam Larsen (DK), Ansa Lønstrup (DK), Morten Michelsen (DK), Holger Schulze (GER), Mark M. Smith (US), Jonathan Sterne (CAN/US), Ola Stockfelt (S), Jean-Paul Thibaud (FRA), David Toop (UK), Heikki Uimonen (FI), Simon Zagorski-Thomas (UK).
You will find more information about ESSA at http://www.soundstudies.eu
CFP: Word and Music Studies: Silence, Absence and Ellipsis in Literature and Music, London, Aug 2013
CALL FOR PAPERS
Word and Music Studies: Ninth International Conference
August 7–10, 2013, London, UK
SILENCE, ABSENCE AND ELLIPSIS IN LITERATURE AND MUSIC
The International Association for Word and Music Studies (WMA) takes pleasure in announcing its Ninth International Conference to be held in London from August 7–10, 2013. The conference will take place in Senate House, University of London, in association with the Institute of Musical Research and the Institute of English Studies, which are both institutes of the School of Advanced Study (http://www.sas.ac.uk).
Scholars active in all areas of Word and Music Studies are invited to participate in the London conference. In addition to papers addressing the conference theme, the conference will include two further sections: “Surveying the Field” and “Word and Music Studies Working Papers”.
Previous conferences have been held biennially in Graz, Ann Arbor, Sydney, Berlin, Santa Barbara, Edinburgh, Vienna, and Santa Fe, with conference proceedings published in the Association’s book series, Word and Music Studies (WMS). The Proceedings of the most recent conference in Santa Fe, Voice in Literature and Music, are due to be published early in 2013. It is anticipated that the Proceedings of the London conference will be published in a further volume of WMS.
As at former conferences, the “Surveying the Field” section will feature papers airing general theoretical and methodological questions intrinsic to the scholarly field of Word and Music Studies. Overviews of recent developments and new directions are welcome; however, papers in this area should not address specialised topics.
The “Word and Music Studies Working Papers” section will consist of shorter papers on any subject in the field of Word and Music Studies. Emerging and younger scholars are especially encouraged to present their work in this section to an expert audience. Successful papers will be invited to be published in the “Word and Music Studies Online Research” section of the WMA Online Newsletter.
Papers addressing the conference theme and “Surveying the Field” should be 30 minutes in length. “Working Papers” should be 20 minutes in length. Please submit abstracts of no more than 300 words, and attach your current location and academic affiliation, via email to Walter Bernhart ( walter.bernhart at uni-graz.at) by 30 September 2012.
Members of the Programme Committee are Walter Bernhart (University of Graz, Austria), Michael Halliwell (University of Sydney, NSW), Suzanne Lodato (Indiana University, Bloomington, IN), and Robert Samuels (The Open University, UK).
The local organizers in London are Robert Samuels (Department of Music) and Delia da Sousa Correa (Department of English), of The Open University (Milton Keynes, UK). They are the convenors of The Open University Literature and Music Research Group ( http://www.open.ac.uk/Arts/
Word and Music Studies: Ninth International Conference
August 7–10, 2013, London, UK
SILENCE, ABSENCE AND ELLIPSIS IN LITERATURE AND MUSIC
The International Association for Word and Music Studies (WMA) takes pleasure in announcing its Ninth International Conference to be held in London from August 7–10, 2013. The conference will take place in Senate House, University of London, in association with the Institute of Musical Research and the Institute of English Studies, which are both institutes of the School of Advanced Study (http://www.sas.ac.uk).
Scholars active in all areas of Word and Music Studies are invited to participate in the London conference. In addition to papers addressing the conference theme, the conference will include two further sections: “Surveying the Field” and “Word and Music Studies Working Papers”.
Previous conferences have been held biennially in Graz, Ann Arbor, Sydney, Berlin, Santa Barbara, Edinburgh, Vienna, and Santa Fe, with conference proceedings published in the Association’s book series, Word and Music Studies (WMS). The Proceedings of the most recent conference in Santa Fe, Voice in Literature and Music, are due to be published early in 2013. It is anticipated that the Proceedings of the London conference will be published in a further volume of WMS.
As at former conferences, the “Surveying the Field” section will feature papers airing general theoretical and methodological questions intrinsic to the scholarly field of Word and Music Studies. Overviews of recent developments and new directions are welcome; however, papers in this area should not address specialised topics.
The “Word and Music Studies Working Papers” section will consist of shorter papers on any subject in the field of Word and Music Studies. Emerging and younger scholars are especially encouraged to present their work in this section to an expert audience. Successful papers will be invited to be published in the “Word and Music Studies Online Research” section of the WMA Online Newsletter.
Papers addressing the conference theme and “Surveying the Field” should be 30 minutes in length. “Working Papers” should be 20 minutes in length. Please submit abstracts of no more than 300 words, and attach your current location and academic affiliation, via email to Walter Bernhart ( walter.bernhart at uni-graz.at) by 30 September 2012.
Members of the Programme Committee are Walter Bernhart (University of Graz, Austria), Michael Halliwell (University of Sydney, NSW), Suzanne Lodato (Indiana University, Bloomington, IN), and Robert Samuels (The Open University, UK).
The local organizers in London are Robert Samuels (Department of Music) and Delia da Sousa Correa (Department of English), of The Open University (Milton Keynes, UK). They are the convenors of The Open University Literature and Music Research Group ( http://www.open.ac.uk/Arts/
JOB: Cornell University, Ethnomusicology (tenure-track)
Assistant Professor, Ethnomusicology
The Cornell University Department of Music invites applications the position of Assistant Professor
(full-time, tenure-track) in Ethnomusicology. The appointment will commence 1 July 2013.
Cornell University is an equal opportunity, affirmative action educator and employer. Women and
minorities are strongly encouraged to apply.
The successful candidate will have a doctorate (or equivalent professional accomplishment),
engage emerging trends and theories in ethnomusicology and related disciplines, and demonstrate
a commitment to ethnographic research. Evidence of scholarly potential, with the promise of
establishing an international reputation, and demonstrated excellence in teaching are required.
At Cornell, ethnomusicology is considered part of the broader study of musicology at both the
graduate and undergraduate levels. Our department values historical and ethnographic approaches
informed by music-making and performance, cultural and critical theories, and interdisciplinary
perspectives. The successful candidate will be able to foster connections to other departments,
programs, and area studies centers across the University.
Initial materials requested are a letter of application, curriculum vitae, and three letters of
recommendation. Please do not send scholarly writings or other materials at this time. Electronic
applications are required. Applicants may apply at https://academicjobsonline.
Any letters of recommendation that must be sent in hard copy may be sent to:
Prof. Judith A. Peraino
Chair, Ethnomusicology Search Committee
Department of Music
Lincoln Hall
Cornell University
Ithaca, NY 14853-4101
The deadline for receipt of materials is 14 September 2012.
Inquiries may be directed to the Chair of the Search Committee at the address given above, or by e-
mail at:
Information about the Department may be found at:
http://music.cornell.edu/
The Cornell University Department of Music invites applications the position of Assistant Professor
(full-time, tenure-track) in Ethnomusicology. The appointment will commence 1 July 2013.
Cornell University is an equal opportunity, affirmative action educator and employer. Women and
minorities are strongly encouraged to apply.
The successful candidate will have a doctorate (or equivalent professional accomplishment),
engage emerging trends and theories in ethnomusicology and related disciplines, and demonstrate
a commitment to ethnographic research. Evidence of scholarly potential, with the promise of
establishing an international reputation, and demonstrated excellence in teaching are required.
At Cornell, ethnomusicology is considered part of the broader study of musicology at both the
graduate and undergraduate levels. Our department values historical and ethnographic approaches
informed by music-making and performance, cultural and critical theories, and interdisciplinary
perspectives. The successful candidate will be able to foster connections to other departments,
programs, and area studies centers across the University.
Initial materials requested are a letter of application, curriculum vitae, and three letters of
recommendation. Please do not send scholarly writings or other materials at this time. Electronic
applications are required. Applicants may apply at https://academicjobsonline.
Any letters of recommendation that must be sent in hard copy may be sent to:
Prof. Judith A. Peraino
Chair, Ethnomusicology Search Committee
Department of Music
Lincoln Hall
Cornell University
Ithaca, NY 14853-4101
The deadline for receipt of materials is 14 September 2012.
Inquiries may be directed to the Chair of the Search Committee at the address given above, or by e-
mail at:
Information about the Department may be found at:
http://music.cornell.edu/
ANNOUNCEMENT: Call for reviewers, MLA Notes music reviews
Dear colleagues,
I wanted to let you know that I am taking over the position of editor of music reviews for the journal Notes.
I am currently looking for reviewers, so if there is a recent edition of music (published in the last 3 years or so) that you would be interested in reviewing, please get in touch with me at the email address below. I plan to give priority to scholarly editions (parts of historical sets or collected works that would normally be classified in M2 or M3), but I'm certainly happy to consider other things as well. Also, if you are interested in reviewing but don't have a particular publication in mind at this point, please send me a copy of your C.V. and let me know about repertoire for which you have an interest, and I will see if something is forthcoming. Every month, I receive a number of lists of new publications, so I have a good idea of what is available.
Sincerely,
Keith Cochran
Music Collection Development Librarian
& Associate Director
William & Gayle Cook Music Library
Indiana University
1201 East 3rd Street
Bloomington IN 47405-7006
(812) 855-2974 (Office)
(812) 855-3843 (FAX)
cochran6 at indiana.edu
I wanted to let you know that I am taking over the position of editor of music reviews for the journal Notes.
I am currently looking for reviewers, so if there is a recent edition of music (published in the last 3 years or so) that you would be interested in reviewing, please get in touch with me at the email address below. I plan to give priority to scholarly editions (parts of historical sets or collected works that would normally be classified in M2 or M3), but I'm certainly happy to consider other things as well. Also, if you are interested in reviewing but don't have a particular publication in mind at this point, please send me a copy of your C.V. and let me know about repertoire for which you have an interest, and I will see if something is forthcoming. Every month, I receive a number of lists of new publications, so I have a good idea of what is available.
Sincerely,
Keith Cochran
Music Collection Development Librarian
& Associate Director
William & Gayle Cook Music Library
Indiana University
1201 East 3rd Street
Bloomington IN 47405-7006
(812) 855-2974 (Office)
(812) 855-3843 (FAX)
cochran6 at indiana.edu
CFP: Britten on Stage and Screen, Univ. of Nottingham, July 2013
Britten on Stage and Screen, 5-7 July 2013: call for papers
To mark Benjamin Britten’s centenary, the University of Nottingham will be hosting a conference on the theme of ‘Britten on Stage and Screen’ between 5 and 7 July 2013.
The Programme Committee (Mervyn Cooke, Philip Rupprecht and Lucy Walker) invites proposals for 25-minute papers on any topic relating to Britten’s output for stage and screen genres. We welcome proposals for joint or paired papers, themed sessions (comprising 3 or 4 papers), and poster presentations, and are also keen to receive proposals from both performers and scholars.
Proposals – which should consist of a title and an abstract of c. 200 words, together with the proposer’s name, institutional affiliation (if any) and email address – should be sent to mervyn.cooke atnottingham.ac.uk by no later than 1 October 2012.
To mark Benjamin Britten’s centenary, the University of Nottingham will be hosting a conference on the theme of ‘Britten on Stage and Screen’ between 5 and 7 July 2013.
The Programme Committee (Mervyn Cooke, Philip Rupprecht and Lucy Walker) invites proposals for 25-minute papers on any topic relating to Britten’s output for stage and screen genres. We welcome proposals for joint or paired papers, themed sessions (comprising 3 or 4 papers), and poster presentations, and are also keen to receive proposals from both performers and scholars.
Proposals – which should consist of a title and an abstract of c. 200 words, together with the proposer’s name, institutional affiliation (if any) and email address – should be sent to mervyn.cooke atnottingham.ac.uk by no later than 1 October 2012.
JOB: University of Central Florida, music history (non-tenured)
For those who may not have seen the initial announcement (in other venues), the University of Central Florida, Department of Music, is seeking qualified applicants for an instructor of music history (position # 32594).
This is a non-tenured, nine-month position that may continue year-to-year. The announcement, with details about the position, how to apply, etc., may be found on the web at:
http://www.jobswithucf.com/
or visit the Human Resources web pages on the UCF website to search for this positing.
Please note that applications must be made online and the deadline is fast approaching (11:59 pm EDT, Thursday, 19 July 2012 [tomorrow]). Again, please do not send any materials to me (or other UCF faculty) as they will not be considered. Only completed online applications may be considered.
This is a non-tenured, nine-month position that may continue year-to-year. The announcement, with details about the position, how to apply, etc., may be found on the web at:
http://www.jobswithucf.com/
or visit the Human Resources web pages on the UCF website to search for this positing.
Please note that applications must be made online and the deadline is fast approaching (11:59 pm EDT, Thursday, 19 July 2012 [tomorrow]). Again, please do not send any materials to me (or other UCF faculty) as they will not be considered. Only completed online applications may be considered.
giovedì 12 luglio 2012
JOB: The Peabody Institute of the Johns Hopkins University, musicology (full-time)
The Peabody Institute of the Johns Hopkins University
Full Time Position – Musicology
The Peabody Conservatory of The Johns Hopkins University is accepting applications for a full-time faculty position in musicology to begin August 2013. The Ph.D. in Musicology must be completed by August 2013. Duties include teaching undergraduate and graduate surveys and seminars as well as graduate advising of Masters in Musicology and Doctor of Musical Arts students. The ideal candidate will be an effective and versatile teacher, an active scholar with an interest in contemporary music, and a dedicated colleague willing to contribute through departmental, conservatory, and university-wide service. The Conservatory does not offer faculty tenure or rank.
Founded in 1857 and conveniently located in Baltimore’s Mt. Vernon cultural district the Peabody Conservatory is the oldest existing American conservatory. Approximately 150 artists and academicians deliver a curriculum that includes degree and diploma programs in performance, early music, jazz studies, conducting, music education, and recording arts and sciences. Peabody is one of the nine colleges that comprise the Johns Hopkins University.
Applicants should submit a letter of application, curriculum vitae, and three letters of reference by October 15, 2012 to: Dr. Mellasenah Morris, Dean, Peabody Conservatory of Music, One East Mt. Vernon Place, Baltimore, MD 21202. Materials may also be submitted electronically to lambert at peabody.jhu.edu, noting Musicology Search in the subject line.
Please do not submit additional materials at this time.
The Peabody Conservatory of The Johns Hopkins University is an Equal Opportunity/Affirmative Action employer committed to recruiting, supporting and fostering a diverse community. Smoke free/drug free environment.
Full Time Position – Musicology
The Peabody Conservatory of The Johns Hopkins University is accepting applications for a full-time faculty position in musicology to begin August 2013. The Ph.D. in Musicology must be completed by August 2013. Duties include teaching undergraduate and graduate surveys and seminars as well as graduate advising of Masters in Musicology and Doctor of Musical Arts students. The ideal candidate will be an effective and versatile teacher, an active scholar with an interest in contemporary music, and a dedicated colleague willing to contribute through departmental, conservatory, and university-wide service. The Conservatory does not offer faculty tenure or rank.
Founded in 1857 and conveniently located in Baltimore’s Mt. Vernon cultural district the Peabody Conservatory is the oldest existing American conservatory. Approximately 150 artists and academicians deliver a curriculum that includes degree and diploma programs in performance, early music, jazz studies, conducting, music education, and recording arts and sciences. Peabody is one of the nine colleges that comprise the Johns Hopkins University.
Applicants should submit a letter of application, curriculum vitae, and three letters of reference by October 15, 2012 to: Dr. Mellasenah Morris, Dean, Peabody Conservatory of Music, One East Mt. Vernon Place, Baltimore, MD 21202. Materials may also be submitted electronically to lambert at peabody.jhu.edu, noting Musicology Search in the subject line.
Please do not submit additional materials at this time.
The Peabody Conservatory of The Johns Hopkins University is an Equal Opportunity/Affirmative Action employer committed to recruiting, supporting and fostering a diverse community. Smoke free/drug free environment.
lunedì 9 luglio 2012
Vivere e studiare a Venezia: il Centro Vittore Branca
Studiosi indipendenti interessati a trascorrere un periodo di ricerca in biblioteca vivendo a Venezia possono fare domanda di ammissione al Centro Vittore Branca, il nuovo polo internazionale di studi umanistici sull'Isola di San Giorgio Maggiore che accoglie ricercatori provenienti da tutto il mondo per svolgere ricerche in ambito artistico, storico, letterario, musicale, teatrale. Ogni studioso può scegliere liberamente in che periodo e per quanto tempo lavorare presso il Centro, a seconda delle specifiche esigenze di ciascun progetto di ricerca. Per sostenere la comunità internazionale di studiosi, la Fondazione Giorgio Cini offre co-finanziamenti e borse di studio.
http://www.cini.it/it/
http://www.cini.it/it/
domenica 8 luglio 2012
Premio per la ricerca in discipline musicologiche “Together for culture” – Amici della Scala
Premio per la ricerca in
discipline musicologiche
“Together for culture” –
Amici della Scala
Selezione
annuale per dissertazioni di dottorato di ricerca
L’Associazione Amici della
Scala, con sede a Milano, nell’ambito del progetto “Together for culture”
(Progetto TfC), bandisce un concorso/selezione per tesi di dottorato di
argomento musicologico con le modalità stabilite nel presente bando.
La partecipazione al
concorso è riservata esclusivamente alle/agli addottorate/i che hanno discusso
la dissertazione in una Università italiana nei due anni accademici
2009-2010 e 2010-11. Sono ammesse dissertazioni di argomento
storico-musicale, etnomusicologico, di analisi musicale, di estetica della
musica, di drammaturgia musicale, di storia della prassi esecutiva, indagini
sul rapporto della musica di tradizione con i nuovi media, ed ogni
argomento che a vario titolo sia riconducibile all’ambito musicologico. Rimane
a discrezione della commissione l’accettazione o l’esclusione di una
dissertazione sulla base della congruenza/incongruenza rispetto agli obiettivi
generali del Progetto TfC [a tale riguardo, si rimanda al sito del Progetto].
La Commissione sarà
composta da almeno tre membri di riconosciuta autorevolezza. A
conclusione dei lavori la Commissione, previa valutazione comparativa, con
deliberazione assunta a maggioranza dei componenti, selezionerà la tesi
vincente a proprio insindacabile giudizio, non reclamabile né appellabile, ed
in base a criteri di valore scientifico, novità di prospettiva, qualità della
ricerca, apporto di nuova documentazione, e l’autore riceverà comunicazione
scritta del conferimento del Premio, a mezzo posta elettronica e lettera
raccomandata, entro il 15 marzo 2013.
Per il vincitore non sono
previsti premi in denaro né forme di retribuzione, ma unicamente:
- la pubblicazione
dell’abstract della ricerca sul sito www.togetherforculture.it;
- previa cessione di tutti
i diritti connessi, la pubblicazione della dissertazione - integrale o
parziale, da concertarsi con l’autore - in formato e-book da parte della Casa
Editrice Feltrinelli ed in formato cartaceo da parte della stessa, ma a cura
dell’Associazione Amici della Scala, alla quale potranno essere richieste
eventuali copie stampate con tecnologia digitale secondo la formula del
print-on-demand; per la pubblicazione verrà lasciata facoltà all’autore di
apportare revisioni formali e limitate precisazioni contenutistiche (senza
tuttavia alterare la fisionomia dello studio presentato alla Commissione),
secondo tempi che verranno proposti dalla redazione del Progetto TfC.
- la consegna di venti
copie cartacee della pubblicazione.
I tempi e le modalità di
selezione, di comunicazione degli esiti, di organizzazione della cerimonia e
infine di redazione per la pubblicazione, saranno resi noti attraverso il sito
del Progetto TfC e con avviso ai diretti interessati.
La proclamazione del
vincitore avrà luogo con una cerimonia pubblica, organizzata nell’ambito del
progetto “Together for culture” in una prestigiosa sede milanese entro
un anno dall’assegnazione del Premio.
Ai fini del d. lgs. n.
196/2003 l’Associazione Amici della Scala si impegna a rispettare il carattere
riservato delle informazioni fornite dal candidato: tutti i dati forniti
saranno trattati solo per le finalità connesse e strumentali al concorso, nel
rispetto delle disposizioni vigenti.
DOMANDE
Modalità di presentazione
La domanda di partecipazione, da redigere in carta libera e scaricabile dal
sito del Progetto TfCAmici della Scala - www.togetherforculture.it nella sezione “Percorsi” - dovrà essere compilata e inviata
attraverso posta elettronica all’indirizzo indicato sul modulo stesso entro le
ore 17 del 10 novembre 2012.
Non saranno presi in
considerazione documenti inviati dopo il termine utile per la presentazione
delle domande di partecipazione al concorso. La documentazione presentata non
verrà restituita. I candidati sono ammessi con riserva al concorso.
L’esclusione, per il mancato rispetto anche parziale delle condizioni previste
dal bando è disposta dalla Commissione.
La domanda dovrà
contenere:
- dati anagrafici, con
dati aggiornati e recapito e-mail, telefonico e postale al quale ricevere
eventuali comunicazioni;
- titolo della tesi,
docente, ateneo, data di conseguimento della tesi di laurea con votazione
(Vecchio ordinamento oppure Laurea Magistrale)
- abstract della
dissertazione dottorale presentata (preferibilmente in doppia lingua italiano e
inglese), in formato doc o rtf e pdf;
- titolo della
dissertazione dottorale, docente-tutor, ateneo e data di conseguimento del
titolo di Dottore di ricerca; componenti della commissione esaminatrice in sede
di discussione accademica;
- la propria dissertazione
dottorale, munita di autocertificazione di autenticità ai sensi del d.p.r. n.
445/2000;
- certificato di
dottorato, in copia autenticata con autocertificazione ai sensi del d.p.r. n.
445/2000;
- il consenso al
trattamento dei dati personali ai sensi del d. lgs. n. 196/2003 (come indicato
nel modulo di iscrizione).
Per informazioni: Amici
della Scala, 02.783479; e-mail: togetherforculture@amicidellascala.it
Tenure Track position leading to professorship in empirical music research at IPEM, Dept. of Musicology, Ghent University, Belgium
Tenure Track position leading to professorship in empirical music research at IPEM, Dept. of Musicology, Ghent University, Belgium------------------------------------ Subject: Tenure Track position leading to professorship in empirical music research at IPEM, Dept. of Musicology, Ghent University, Belgium(www.ipem.ugent.be)The candidate should have a background in empirical methods related to (embodied) music cognition, with a profound knowledge of music. The candidate will have the opportunity to contribute to a new interdisciplinary media center in Ghent (from 2015 onwards), where IPEM will deploy its activities in close collaboration with a multimedia research group from engineering.
There are 2 positions for 4 competing research groups. Whether a candidate will be selected for IPEM depends on the quality of the applicant, and that of the other competing applicants (including those that apply to other research groups).
The requisite application form is available on http://www.ugent.be/nl/werken/aanwerving/ formulieren/zap/tenuretrack. doc/view. Applications must be sent no later than September 7, 2012.For more information, please contact me at +32 09 2644125.Marc LemanProf. dr. in Systematic MusicologyGhent UniversityBlandijnberg 2B-9000 GhentBelgium
CFP: Forum on Music and Christian Scholarship, Yale Univ., New Haven, Feb 2013
Call for Papers: FMCS 2013, Yale University, Institute of Sacred Music
Forum on Music and Christian Scholarship
Annual Meeting
February 14-16, 2013
Yale University, New Haven, CT
The Forum on Music and Christian Scholarship seeks proposals for its upcoming annual meeting, which will take place at the Yale Institute of Sacred Music, New Haven, CT, from February 14-16, 2013.
The keynote speaker for FMCS 2013 is Prof. Dr. Jeremy Begbie, Thomas A. Langford Research Professor at Duke Divinity School, Duke University. Prof. Begbie is one of the leading authorities on the relation between music and theology and author of numerous books on this topic.
Individual papers, panels and lecture recitals on any topic pertaining to music and Christian scholarship are welcome. Individual papers are 25 minutes long; panels (with three people) are one and a half hours; and lecture-recitals, one hour. We invite submissions representing a variety of approaches and perspectives, including history, ethnomusicology, theory and analysis, philosophy and theology, liturgy, and critical theory.
The Forum encourages submissions from current graduate students. A $250 prize will be awarded for the best paper presented by a graduate student at FMCS 2013. Further details will be available at this web site in early October.
The Forum on Music and Christian Scholarship is an association of scholars interested in exploring the intersections of Christian faith and musical scholarship. We are an ecumenical association, reflecting the world-wide diversity of Christian traditions, and seeking to learn from scholars outside those traditions. As scholars of Christian convictions, we are dedicated to excellence in all our work as musicologists, theorists and ethnomusicologists. Conference registration is open to all interested persons: undergraduate and graduate students, as well as independent and affiliated scholars. For more information about the FMCS and about previous conferences see the web page: www.fmcs.us/conferences/.
Please send a 250-word abstract for individual papers and lecture recitals, and a 500-word abstract for panels, including all names, affiliation, and contact information. Send submissions or any questions to fmcs.yale.2013 at gmail.com with “FMCS 2013” in the subject line of your email. The deadline for submissions is September 30, 2012.
http://fmcs.us/2013/CFP
Forum on Music and Christian Scholarship
Annual Meeting
February 14-16, 2013
Yale University, New Haven, CT
The Forum on Music and Christian Scholarship seeks proposals for its upcoming annual meeting, which will take place at the Yale Institute of Sacred Music, New Haven, CT, from February 14-16, 2013.
The keynote speaker for FMCS 2013 is Prof. Dr. Jeremy Begbie, Thomas A. Langford Research Professor at Duke Divinity School, Duke University. Prof. Begbie is one of the leading authorities on the relation between music and theology and author of numerous books on this topic.
Individual papers, panels and lecture recitals on any topic pertaining to music and Christian scholarship are welcome. Individual papers are 25 minutes long; panels (with three people) are one and a half hours; and lecture-recitals, one hour. We invite submissions representing a variety of approaches and perspectives, including history, ethnomusicology, theory and analysis, philosophy and theology, liturgy, and critical theory.
The Forum encourages submissions from current graduate students. A $250 prize will be awarded for the best paper presented by a graduate student at FMCS 2013. Further details will be available at this web site in early October.
The Forum on Music and Christian Scholarship is an association of scholars interested in exploring the intersections of Christian faith and musical scholarship. We are an ecumenical association, reflecting the world-wide diversity of Christian traditions, and seeking to learn from scholars outside those traditions. As scholars of Christian convictions, we are dedicated to excellence in all our work as musicologists, theorists and ethnomusicologists. Conference registration is open to all interested persons: undergraduate and graduate students, as well as independent and affiliated scholars. For more information about the FMCS and about previous conferences see the web page: www.fmcs.us/conferences/.
Please send a 250-word abstract for individual papers and lecture recitals, and a 500-word abstract for panels, including all names, affiliation, and contact information. Send submissions or any questions to fmcs.yale.2013 at gmail.com with “FMCS 2013” in the subject line of your email. The deadline for submissions is September 30, 2012.
http://fmcs.us/2013/CFP
giovedì 5 luglio 2012
CFP: Wagner and Us, Univ. of Melbourne, Dec 2013
SYMPOSIUM “WAGNER AND US”
UNIVERSITY OF MELBOURNE 6–8 DECEMBER 2013
Scheduled to coincide with the performances of Wagner’s Der Ring des Nibelungen in Melbourne, 18 November–13 December, the symposium “Wagner and Us” will explore and critique Richard Wagner’s continuing cultural, political, and historical importance to contemporary society. The symposium, convened by Professor Kerry Murphy, is jointly hosted by The University of Melbourne, Monash University, and The Richard Wagner Society in Melbourne.
Topics to be covered include Wagner in Australia, Wagner and Anti-Semitism, Wagner in the Theatre, and the ‘Wagner Industry’, and others.
Invited Keynote Speakers include Slavoj i ek (UK/Slovenia), Patrick Carnegy (UK), Eva Rieger (Germany), and Hans Vaget (USA).
Call for Papers
Researchers are invited to submit proposals for papers of 20 minutes to be followed by 10 minutes discussion. Please note: as there are no parallel sessions only a limited number of papers will be accepted.
Proposals consisting of a title and abstract of no more than 250 words should be submitted by e-mail to the organising committee: submisions at wagnerandus.com.au by 30 September 2012. Acceptance of papers will be advised by 30 November 2012. It is anticipated that a Conference Proceedings will be published.
For further information contact the Administrator, Rachel Orzech, at info at wagnerandus.com.au.
PLEASE NOTE: Tickets for the Ring cycle will go on sale to the public on 23 July 2012. See http://melbourneringcycle.com.
http://www.wagnerandus.com.au
UNIVERSITY OF MELBOURNE 6–8 DECEMBER 2013
Scheduled to coincide with the performances of Wagner’s Der Ring des Nibelungen in Melbourne, 18 November–13 December, the symposium “Wagner and Us” will explore and critique Richard Wagner’s continuing cultural, political, and historical importance to contemporary society. The symposium, convened by Professor Kerry Murphy, is jointly hosted by The University of Melbourne, Monash University, and The Richard Wagner Society in Melbourne.
Topics to be covered include Wagner in Australia, Wagner and Anti-Semitism, Wagner in the Theatre, and the ‘Wagner Industry’, and others.
Invited Keynote Speakers include Slavoj i ek (UK/Slovenia), Patrick Carnegy (UK), Eva Rieger (Germany), and Hans Vaget (USA).
Call for Papers
Researchers are invited to submit proposals for papers of 20 minutes to be followed by 10 minutes discussion. Please note: as there are no parallel sessions only a limited number of papers will be accepted.
Proposals consisting of a title and abstract of no more than 250 words should be submitted by e-mail to the organising committee: submisions at wagnerandus.com.au by 30 September 2012. Acceptance of papers will be advised by 30 November 2012. It is anticipated that a Conference Proceedings will be published.
For further information contact the Administrator, Rachel Orzech, at info at wagnerandus.com.au.
PLEASE NOTE: Tickets for the Ring cycle will go on sale to the public on 23 July 2012. See http://melbourneringcycle.com.
http://www.wagnerandus.com.au
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