ANNOUNCEMENT / CFP (journal articles): Dutch Journal of Music Theory, new issue now available / call for submissions

We are pleased to announce the publication of the latest issue of the 'Dutch Journal of Music Theory', Vol. 17, No. 1 (Spring 2012).

http://djmt.nl/cgi/t/text/text-idx?c=djmt;sid=b6ce32b333082e79f137e439508649ca;tpl=browse-toc-17.tpl

In case your institution does not hold a subscription to this journal, a one-month free trial can be obtained by writing to the publisher, Amsterdam University Press, at abonnementen@aup.nl.

ARTICLES
- Boudewijn Leeuwenberg, “De intertekstualiteit van John Lewis’s ‘Milano’” (in Dutch)
- Lieven Strobbe and Hans van Regenmortel, “Music Theory and Musical Practice: Dichotomy or Entwining?”
- Franz Zaunschirm, “Harmonisches Hören für Melodieinstrumente“ (in German)

- John Koslovsky, “Hold that Note! Teach the Pedal Point”

- Keith Salley, “On Fostering Critical Thinking in the Music Theory Classroom through Comparative Analysis and Debate”

- Michel Khalifa, “Een pleidooi voor duolessen muziekgeschiedenis/muziekanalyse” (in Dutch)
- Peter C. Sonderen, “A Modern Anacharsis Looks at Music Theory”

CALL FOR SUBMISSIONS
The 'Dutch Journal of Music Theory' is a tri-annual, peer-reviewed journal that embraces established and innovative music-theoretical perspectives on a wide range of musics, from both conventional repertoires to repertoires that usually fall outside the scope of music analysis. The editorial board welcomes submissions for articles and discussions to be scheduled for publication in November 2012 and May 2013. For more information about the 'Dutch Journal of Music Theory' as well as the guidelines for submission, see the journal’s website: www.djmt.nl.

Editor in Chief: Vincent Meelberg
Editorial Board: Jacques Boogaart (University of Amsterdam), Kristof Boucquet (University of Leuven), Karst de Jong (Royal Conservatory, The Hague; Escola Superior de Música de Catalunya, Barcelona), Suzanne Konings (Royal Conservatory, The Hague), Harm Langenkamp (Utrecht University), Vincent Meelberg (Radboud University Nijmegen), Steven Vande Moortele (University of Toronto), Martyn Smits (Fontys Conservatory, Tilburg), Job Spierings (Muziek Centrum Nederland), Barbara Titus (Utrecht University), Ida Vujovic (Royal Conservatory, The Hague), Stephan Weytjens (University of Leuven; Royal Flemish Conservatory, Antwerp), Jaap Zwart (Conservatory of Amsterdam)