Early Music: new issue now available: Vol. 39 no. 4, November 2011
http://em.oxfordjournals.org/content/vol39/issue4/index.dtl?etoc
EDITORIAL
Francis Knights and Nicholas Kenyon
ARTICLES
Winds, cupids, little zephyrs and sirens: Monteverdi and Le nozze di Tetide (1616–1617)
Tim Carter
‘In grembo a Citherea’: the representation of ingenium and ars in Claudio Monteverdi’s Tempro la cetra
Gordon Haramaki
An emblem of modern music: temporal symmetry in the prologue of L’Orfeo (1607)
Ilias Chrissochoidis
‘The high and lowe keyes come both to one pitch’: reconciling inconsistent clef-systems in Monteverdi’s vocal music for Mantua
Roger Bowers
‘His name will be called John’: reception and symbolism in Obrecht’s Missa de Sancto Johanne Baptista
Michael Alan Anderson
Significance and effect of the stile antico in Handel's oratorios
Minji Kim
‘The ripienists must also be at least eight, namely two for each part’: The Leipzig line of 1730some observations
Andreas Glöckner
J. S. Bach’s Trauer-Music for Prince Leopold: clarification and reconstruction
Andrew Parrott
OBSERVATION
BOOK REVIEWS
MUSIC REVIEWS
RECORDING REVIEWS
REPORTS
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