CAMBRIDGE OPERA JOURNAL, VOLUME 22 - ISSUE 03
http://journals.cambridge.org/action/displayIssue?jid=OPR&tab=currentissue
Back to (the music of) the future: Aesthetics of technology in Berlioz's Euphonia and Damnation de Faust
INGE VAN RIJ
Classic staging: Pauline Viardot and the 1859 Orphée revival
Flora Willson
Unintended consequences: Theatre deregulation and opera in France, 1864–1878
Katharine Ellis
Review Article
Rebekah Ahrendt
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